(L)_JWUt_T_25
Jean Widmer — Une traversée
Texte
Outils | Pédagogie
19.03.25
(L)_TDoDEGvSWB_CT_25
The Discipline of D. E. (1978) — Gus van Sant / William Burroughs
Cours-métrage | Texte
Pédagogie
18.03.25
Texte de William Burroughs :
A cold dry windy day clouds blowing through the sky sunshine and shadow. A dead leaf brushes my face. The streets remind me of St. Louis… red brick houses, trees, vacant lots. Bright and windy back in a cab through empty streets. When I reach the fourth floor it looks completely unfamiliar as if seen through someone else's eyes.
“I hope you find your way… red brick houses, trees… the address in empty streets.”
Colonel Sutton-Smith, 65, retired not uncomfortably on a supplementary private income… flat in Bury Street St James… cottage in Wales… could not resign himself to the discovery of Roman coins under the grounds of his cottage interesting theory the Colonel has about those coins over two sherries never a third no matter how nakedly his guest may leer at the adamant decanter. He can of course complete his memoirs… extensive notes over a period of years, invitations, newspaper clippings, photographs, stretching into the past on yellowing dates. Objects go with the clippings, the notes, the photos, the dates… A kris on the wall to remember Ali who ran amok in the market place of Lampipur thirty years ago, a crown of emerald quartz, a jade head representing a reptilian youth with opal eyes, a little white horse delicately carved in ivory, a Webly .45 automatic revolver… (Only automatic revolver ever made the cylinder turns on ratchets stabilizing like a gyroscope the heavy recoil.) Memories, objects stuck in an old calendar. The Colonel decides to make his own time. He opens a school notebook with lined papers and constructs a simple calendar consisting of ten months with 26 days in each month to begin on this day February 21, 1970, Raton Pass 14 in the new calendar. The months have names like old Pullman cars in America where the Colonel had lived until his 18th year… names like Beauacres, Bonneterre, Watford Junction, Sioux Falls, Pikes Peak, Yellowstone, Bellevue, Cold Springs, Lands End dated from the beginning Raton Pass 14 a mild grey day. Smell of soot and steam and iron and cigar smoke as the train jolts away into the past. The train is stopped now red brick buildings a deep blue canal outside the train window a mild grey day long ago. The Colonel is jolted back to THE NOW by a plate streaked with egg yolk, a bacon rind, toast crumbs on the table, a jumble of morning papers, cigarette butt floating in cold coffee right where you are sitting now. The Colonel decides, on this mild grey day, to bring his time into present time. He looks at the objects on the breakfast table calculating the moves to clear it. He measures the distance of his chair to the table how to push chair back and stand up without hitting the table with his legs. He pushes chair back and stands up. With smooth precise movements he scrapes his plate into The Business News of The Times, folds the paper into a neat triangular packet, sweeps up plate, knife, fork, spoon and coffee cup out to the kitchen with no fumbling or wasted movements washed and put away. Before he made the first move he has planned a whole series of moves ahead. He has discovered the simple and basic Discipline of DE. DO EASY. It is simply to do everything you do in the easiest and most relaxed manner you can achieve at the time you do it. He becomes an assiduous student of DE. Cleaning the flat is a problem in logistics. He knows every paper every object and many of them now have names. He has perfected the art of “casting” sheets and blankets so they fall just so. And the gentle silent spoon or cup on a table… He practices for a year before he is ready to reveal the secrets and mysteries of DE…
As the Colonel washes up and tidies his small kitchen the television audience catches its breath in front of the little screen. Knives forks and spoons flash through his fingers and tinkle into drawers. Plates dance onto the shelf. He touches the water taps with gentle precise fingers and just enough pressure considering the rubber washers inside. Towels fold themselves and fall softly into place. As he moves he tosses crumpled papers and empty cigarette packets over his shoulder and under his arms and they land unerringly in the waste basket as a Zen master can hit the target with his arrow in the dark. He moves through the sitting room a puff of air from his cupped hand delicately lifts a cigarette ash from the table and wafts it into a wastebasket. Into the bedroom smooth movements cleaning the sink and arranging the toilet articles into a nature morte different each day. With one fluid rippling cast the sheets crinkle into place and the blankets follow tucked in with fingers that feel the cloth and mattress. In two minutes the flat is dazzling…
The Colonel Issues Beginners DE
DE is a way of doing. It is a way of doing everything you do. DE simply means doing whatever you do in the easiest most relaxed way you can manage which is also the quickest and most efficient way, as you will find as you advance in DE.
You can start right now tidying up your flat, moving furniture or books, washing dishes, making tea, sorting papers. Consider the weight of objects exactly how much force is needed to get the object from here to there. Consider its shape and texture and function where exactly dœs it belong. Use just the amount of force necessary to get the object from here to there. Don’t fumble jerk grab an object. Drop cool possessive fingers onto it like a gentle old cop making a soft arrest. Guide a dustpan lightly to the floor as if you were landing a plane. When you touch an object weigh it with your fingers feel your fingers on the object the skin blood muscles tendons of you r hand and arm. Consider these extensions of yourself as precision instruments to perform every movement smoothly and well. Handle objects with consideration and they will show you all their little tricks. Don’t tug or pull at a zipper. Guide the little metal teeth smoothly along feeling the sinuous ripples of cloth and flexible metal. Replacing the cap on a tube of toothpaste … (and this should always be done at once few things are worse than an uncapped tube maladroitly squeezed twisting up out of the bathroom glass drooling paste unless it be a tube with the cap barbarously forced on all askew against the threads). Replacing the cap let the very tips of your fingers protrude beyond the cap contacting the end of the tube guiding the cap into place. Using your fingertips as a landing gear will enable you to drop any light object silently and surely into its place. Remember every object has its place. If you don’t find that place and put that thing there it will jump out at you and trip you or rap you painfully across the knuckles. It will nudge you and clutch at you and get in your way. Often such objects belong in the wastebasket but often it’s just that they are out of place. Learn to place an object firmly and quietly in its place and do not let your fingers move that object as they leave it there. When you put down a cup separate your fingers cleanly from the cup. Do not let them catch in the handle and if they do repeat movement until fingers separate clean. If you don’t cat ch that nervous finger that won’t let go of that handle you may twitch hot tea across the Duchess. Never let a poorly executed sequence pass. If you throw a match at a wastebasket and miss, get right up and put that match in the wastebasket. If you have time repeat the cast that failed. There is a always a reason for missing an easy toss. Repeat the toss and you will find it. If you rap your knuckles against a window jamb or door, if you brush your leg against a desk or a bed, if you catch your feet in the curled-up corner of a rug, or strike a tœ against a desk or chair go back and repeat the sequence. You will be surprised to find how far off course you were to hit that window jamb that door that chair. Get back on course and do it again. How can you pilot a spacecraft if you can’t find your way around your own apartment ? It’s just like retaking a movie shot until you get it right. And you will begin to feel yourself in a film moving with ease and speed. But don’t try for speed at first. Try for relaxed smoothness taking as much time as you need to perform action. If you drop an object, break an object, spill anything, knock painfully against anything, galvanically clutch an object pay particular attention to retake. You may find out why and forestall a repeat performance. If the object is broken sweep up pieces and remove from the room at once. If object is intact or you have duplicate object repeat sequence. You may experience a strange feeling as if the objects are alive and hostile trying to twist out of your fingers, slam noisily down on a table, jump out at you and stub your tœ or trip you. Repeat sequence until objects are brought to order.
Here is student at work. At two feet he tosses red plastic milk cap at the orange garbage bucket. The cap sails over the bucket like a flying saucer. He tries again. Same result. He examines the cap and finds that one edge is crushed down. He pries the edge back into place. Now the cap will drop obediently into the bucket. Every object you touch is alive with your life and your will.
The student tosses cigarette box at wastebasket and it bounces out from the cardboard cover from a metal coat hanger which is resting diagonally across the wastebasket and never should be there at all. If an ashtray is emptied into that wastebasket the cardboard triangle will split the ashes and the butts scattering both on the floor. Student takes a box of matches from his coat pocket preparatory to lighting cigarette from new package on table. With the matches in one hand he makes another toss and misses of course his fingers are in future time lighting a cigarette. He retrieves package puts the matches down and now stopping slightly legs bent hop skip over the washstand and into the wastebasket, miracle of the Zen master who hits a target in the dark these little miracles will occur more and more often as you advance in DE… the ball of paper tossed over the shoulder into the wastebasket, the blanket flipped and settled just into place that seems to fold itself under the brown satin fingers of an old Persian merchant. Objects move into place at your lightest touch. You slip into it like a film moving with such ease you hardly know you are doing it. You’d come into the kitchen expecting to find a sink full of dirty dishes and instead every dish is put away and the kitchen shines. The Little People have been there and done your work fingers light and cold as spring wind through the rooms.
The student considers heavy objects. Tape recorder on the desk taking up too much space and he dœsn’t use it very often. So put it under the washstand. Weigh it with the hands. First attempt the cord and socket leaps across the desk like a frightened snake. He bumps his back on the washstand putting the recorder under it. Try again lift with legs not back. He hits the lamp. He looks at that lamp. It is a horrible disjointed object the joints tightened with cellophane tape disconnected when not in use the cord leaps out and wraps around his feet sometimes jerking the lamp off the desk. Remove that lamp from the room and buy a new one. Now try again lifting shifting pivoting dropping on the legs just so and right under the washstand.
You will discover clumsy things you’ve been doing for years until you think that is just the way things are. Here is an American student who for years has clawed at the red plastic cap on English milk bottle you see American caps have a little tab and he has been looking for that old tab all these years. Then one day in a friend’s kitchen he saw a cap depressed at the center. Next morning he tries it and the miracle occurs. Just the right pressure in the center and he lifts the cap off with deft fingers and replaces it. He dœs this several times in wonder and in awe and well he might him a college professor and very technical too planarian worms learn quicker than that for years he has been putting on his socks after he puts on his pants so he has to roll up pants and pants and socks get clawed in together so why not put on the socks before the pants ? He is learning the simple miracles… The Miracle of the Washstand Glass… we all know the glass there on a rusty razor blade streaked with pink tooth paste a decapitated tube writhing up out of it… quick fingers go to work and Glass sparkles like the Holy Grail in the morning sunlight. Now he dœs a wallet drill. For years he has carried his money in the left side pocket of his pants reaching down to fish out the naked money… bumping his fingers against the sharp edges of the notes. Often the notes were in two stacks and pulling out the one could drop the other on the floor. The left side pocket of the pants is most difficult to pick but worse things can happen than a picked pocket one can dine out on that for a season. Two manicured fingers sliding into the well-cut suit wafted into the waiting hand and engraved message from the Queen. Surely this is the easy way. Besides no student of DE would have his pocket picked applying DE in the street, picking his route through slower walkers, don’t get stuck behind that baby carriage, careful when you round a corner don’t bump into somebody coming round the other way. He takes the wallet out in front of a mirror, removes notes, counts notes, replaces notes. As rapidly as he can with no fumbling, catching note edges on wallet, or other errors. That is a basic principle which must be repeated. When speed is crucial to the operation you must find your speed the fastest you can perform the operation with out error. Don’t try for speed at first it will come his fingers will rustle through the wallet with a touch light as dead leaves and crinkle discreetly the note that will bribe a South American customs official into overlooking a shrunk-down head. The customs agent smiles a collector’s smile the smile of a connoisseur. Such a crinkle he has not heard since a French jewel thief with crudely forged papers made a crinkling sound over them with his hands and there is the note neatly folded into a false passport.
Now some one will say… “But if I have to think about every move I make”… You only have to think and break down movement into a series of still pictures to be studied and corrected because you have not found the easy way. Once you find the easy way you don’t have to think about it It will almost do itself.
Operations performed on your person … brushing teeth, washing, etc. can lead you to correct a defect before it develops. Here is student with a light case of bleeding gums. His dentist has instructed him to massage gums by placing little splinters of wood called Inter Dens between the teeth and massaging gum with seesaw motion. He snatches at Inter Dens, opens his mouth in a stiff grimace and jabs at a gum with a shaking hand. Now he remembers his DE. Start over. Take out the little splinters of wood like small chopsticks joined at the base and separate them gently. Now find where the bleeding is. Relax face and move Inter Dens up and down gently firmly gums relaxed direct your attention to that spot. No not “getting better and better” just let the attention of your whole body flow there and all the healing power of your body flow with it. A soapy hand on your lower back feeling the muscles and vertebræ can catch a dislocation right there and save you a visit to the osteopath. Illness and disability is largely a matter of neglect. You ignore something because it is painful and it becomes more uncomfortable through neglect and you neglect it further. Everyday tasks become painful and boring because you think of them as WORK something solid and heavy to be fumbled and stumbled over. Overcome this block and you will find that DE can be applied to anything you do even to the final discipline of doing nothing. The easier you do it the less you have to do. He who has learned to do nothing with his whole mind and body will have everything done for him.
Let us now apply DE to a simple test : the old Western quick draw gun fight. Only one gun fighter ever really grasped the principle of DE and that was Wyatt Earp. Nobody ever beat him. Wyatt Earp said : “It’s not the first shot that counts. It’s the first shot that hits. Point is to draw aim and fire and deliver the slug an inch above the belt buckle.”
That’s DE. How fast can you do it and get it done ?
It is related that a young boy once incurred the wrath of Two Gun McGee. McGee has sworn to kill him and is even now preparing himself in a series of saloons. The boy has never been in a gunfight and Wyatt Earp advises him to leave town while McGee is still two saloons away. The boy refuses to leave.
“All right” Earp tells him “You can hit a circle four inches square at six feet can’t you ? All right take your time and hit it.” Wyatt flattens himself against a wall calling out once more “Take your time, kid.”
(How fast can you take your time, kid ?)
At this moment McGee bursts through the door a .45 in each hand aspittin lead all over the town. A drummer from St. Louis is a bit slow hitting the floor and catches a slug in the forehead. A boy peacefully eating chop suey in the Chinese restaurant next door stops a slug with his thigh.
Now the kid draws his gun steadies it in both hands aims and fires at six feet hitting Two Gun McGee squarely in the stomach. The heavy slug knocks him back against the wall. He manages to get off one last shot and bring down the chandelier. The boy fires again and sends a bullet ripping through McGee’s liver and another through his chest.
The beginner can think of DE as a game. You are running an obstacle course the obstacles set up by your opponent. As soon as you attempt to put DE into practice you will find that you have an opponent very clever and persistent and resourceful with detailed knowledge of your weaknesses and above all expert in diverting your attention for the moment necessary to drop a plate on the kitchen floor. Who or what is this opponent that makes you spill drop and fumble slip and fall ? Groddeck and Freud called it the IT a built in self-destructive mechanism. Mr Hubbard calls it the Reactive Mind. You will disconnect IT as you advance in the discipline of DE. DE brings you into direct conflict with the IT in present time where you can control your moves. You can beat the IT in present time.
Take the inverse skill of the IT back into your own hands. These skills belong to you. Make them yours. You know where the wastebasket is. You can land an object in that wastebasket over your shoulder. You know how to touch and move and pick up things. Regaining these physical skills is of course simply a prelude to regaining other skills and other knowledge that you have but cannot make available for your use. You know your entire past history just what year month day and hour everything happened. If you have heard a language for any length of time you know that language. You have a computer in your brain. DE will show you how to use it. But that’s another chapter.
DE applies to ALL operations carried out inside the body … brain waves, digestion, blood pressure and rate of heart beats … and that is another chapter …
“And now I have stray cats to feed and my class at the Leprosarium.”
Lady Sutton-Smith raises a distant umbrella …
“I hope you find your way … The address in empty streets …”
(L)_BCaodeAK_AA_25
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09.06.22
(L)_LC_DT_22
Laura Csocsan
Design Graphique | Typographie
Imprimé
02.03.22
(L)_CGA_ÉÉ_22
Computer Graphics & Art 1976 - 1978
Édition | Étude
Archive | Outils
02.03.22
(L)_Z_EI_22
Zimoun
Exposition | Installation
Carton
03.02.22
(L)_MS_DI_22
Maya Strobbe
Dessin | Installation
Archive | Carton
03.02.22
(L)_WWPoTD_LÉ_22
Wucius Wong — Principles of Two–Dimensional Design
Livre | Étude
Archive
27.01.22
(L)_JdCBc_AD_21
Jan de Cock — Before conversion
Architecture | Dessin
24.11.21
(L)_SSR_DI_21
Shervin Sheikh Rezæi
Dessin | Installation
Process
27.10.21
(L)_EMA_M_21
Enzo Mari — Autoprogettazione
Mobilier
Outils
21.10.21
(L)_PCMop_RT_21
Paul Christ — Microcosm of proportions
Recherches | Typographie
Process
07.10.21
(L)_RRC_AD_21
Richard Rogers — Croquis
Architecture | Dessin
Manuscrit
06.10.21
(L)_LL_IPS_21
Lorenza Longhi
Installation | Peinture | Sculpture
Grille
05.10.21
(L)_DLTFCHCJ_A_21
David Lake & Ted Flato — Casey House (Hill Country Jacal)
Architecture
05.10.21
(L)_ES_M_21
Ettore Sottsass
Mobilier
04.05.21
(L)_JF_DIS_21
Jackie Ferrara
Dessin | Installation | Sculpture
Bois | In situ
21.04.21
(L)_CG_S_21
Camila Guerrero
Sculpture
16.04.21
(L)_AS_MO_21
Anacleto Spazzapan
Mobilier | Objet
Bois
16.04.21
(L)_CJ_M_21
Chester Jones
Mobilier
Bois | Métal
24.03.21
(L)_WA_M_21
Wendy Andreu
Mobilier
Métal
24.03.21
(L)_BV_MS_21
Bram Vanderbeke
Mobilier | Sculpture
Métal
24.03.21
(L)_MM_M_21
Malcolm Majer
Mobilier
Bois | Métal
24.03.21
(L)_HM_I_21
Hélène Moreau
Installation
Bois | Métal | Pierre
09.03.21
(L)_NvWI_IS_21
Nick van Wœrt II
Installation | Sculpture
Métal
09.03.21
(L)_ADA_S_21
Ana Dominguez — Apartamento
Sculpture
21.02.21
(L)_WF_MS_21
Workshop Farmers
Mobilier | Sculpture
Bois
21.02.21
(L)_Æ_CMS_21
Arnaud Eubelen
Construction | Mobilier | Sculpture
Récupération
21.02.21
(L)_GF_IS_21
Gonzalo Fonseca
Installation | Sculpture
Pierre
21.02.21
(L)_PAKN_DMÉ_21
Phantom Avantgarde — Karl Nawrot
Dessin | Machine | Édition
Manuscrit | Process | Module | Mécanisme | Maquette
20.02.21
(L)_WA_A_21
WOJR.org — Architecture
Architecture
Maquette
19.02.21
(L)_Cgsdp_L_21
Charpente — La géométrie secrète des peintres
Livre
Imprimé | Archive
11.02.21
(L)_FMCAM_M_21
FOMO — Marcello Comoglio & Alessandro Mason
Mobilier
Grille | Module
28.01.21
(L)_RSF_ACM_21
Rudolf Schindler Furniture
Architecture | Construction | Mobilier
Bois | Proportion | Composition | Grille
27.01.21
(L)_GR_ACM_21
Gerrit Rietveld
Architecture | Construction | Mobilier
Bois | Grille
27.01.21
(L)_MG_M_21
Martino Gamper
Mobilier
Déconstruction
27.01.21
(L)_FUB_ACW_21
Floating University — Berlin
Architecture | Construction | Workshop
Récupération | In situ | Grille | Module
26.01.21
(L)_TK_CM_21
Tessa Koot
Construction | Mobilier
Grille
26.01.21
(L)_FDW_AS_21
Frans De Wit
Architecture | Sculpture
In situ
26.01.21
(L)_JS_D_21
Joost Swarte
Dessin
Grille
25.01.21
(L)_DM_IPÉ_21
David Maljković
Installation | Photographie | Édition
07.01.21
(L)_FN_CI_21
Florian Neufeldt
Construction | Installation
Déconstruction
07.01.21
(L)_NM_ACI_20
Nicolas Moulin
Architecture | Construction | Installation
Récupération | Grille | Module
26.11.20
(L)_JC_M_20
Jœ Colombo
Mobilier
Mécanisme
26.11.20
(L)_MNI_CD_20
Marc Nagtzaam III
Construction | Dessin
Composition | Grille
26.11.20
(L)_HDaMN_DIPÉ_20
Hans Demeulenære and Marc Nagtzaam
Dessin | Installation | Photographie | Édition
Proportion | Grille
26.11.20
(L)_JKS_AP_20
Jan Kempenærs — Spomenik
Architecture | Photographie
In situ
26.11.20
(L)_TDMS_AP_20
Thomas Demand — Models Studies
Architecture | Photographie
Process | Composition | Grille
24.11.20
(L)_JGSA_CDP_20
Jochen Gerner — Série Atlas
Collage | Dessin | Peinture
Archive
24.11.20
(L)_Pef_M_20
Perron et frères
Mobilier
Bois | Proportion | Grille | Mécanisme
24.11.20
(L)_OT_MS_20
Oscar Tuazon
Mobilier | Sculpture
Récupération | Déconstruction
24.11.20
(L)_FM_É_20
Fabian Marti
Édition
Trame
16.11.20
(L)_YNS_MSÉ_20
Yellow Nose Studio
Mobilier | Sculpture | Édition
Bois | Proportion | Grille
16.11.20
(L)_RD_S_20
Richard Deacon
Sculpture
Bois
16.11.20
(L)_AHmdcg_CTÉ_20
Armin Hofmann | manuel de création graphique | 1965
Construction | Typographie | Édition
Composition | Grille
01.10.20
(L)_JA_DPS_20
Jean Arp
Dessin | Peinture | Sculpture
Bois
01.10.20
(L)_WC_DT_20
Wim Crouwel
Design Graphique | Typographie
Grille | Module
01.10.20
(L)_KNT_ST_20
Karl Nawrot — Type
Sculpture | Typographie
Process | Mécanisme
01.10.20
(L)_AFS_DT_20
Adrian Frutiger — Signes
Dessin | Typographie
01.10.20
(L)_JdCV_ACÉ_20
Jan de Cock V
Architecture | Construction | Édition
Bois | Proportion | Composition | Grille
01.10.20
(L)_AM_PT_20
Aaron Marcus
Photographie | Typographie
Grille
28.09.20
(L)_FCS_DP_20
Forth Coming Studio
Design Graphique | Peinture
Process
15.09.20
(L)_BB_CDP_20
Beni Bischof
Collage | Dessin | Photographie
Récupération | Imprimé | Déconstruction
28.05.20
(L)_DVVT_AMP_20
De Vylder Vinck Taillieu
Architecture | Mobilier | Photographie
28.05.20
(L)_EHGZ_CP_20
Erris Huigens — Gysbert Zijlstra
Collage | Peinture
In situ
28.05.20
(L)_W_M_20
Waka-waka
Mobilier
Bois | Métal
28.05.20
(L)_NVW_CST_20
Nick Van Wœrt
Construction | Sculpture | Typographie
Bois
28.05.20
(L)_JM_C_20
Janet Malcolm
Collage
Archive
26.03.20
(L)_JD_CDI_20
Jan Dibbets
Construction | Dessin | Installation
Archive
26.03.20
(L)_CW_D_20
Cornel Windlin
Design Graphique
26.03.20
(L)_WB_AP_20
Werner Blaser
Architecture | Photographie
26.03.20
(L)_AaPBLR_CÉ_20
Art and Project Bulletins 1–156 (1968–1989)_ Louise Riley-Smith (Ed)
Conceptuel | Édition
Process | Archive
26.03.20
(L)_MM_DP_20
Matt Mullican
Dessin | Peinture
Proportion | Tracé régulateur | Grille
26.03.20
(L)_BL_CI_20
Bernd Lohaus
Collage | Installation
Récupération | Archive
26.03.20
(L)_JS_ACM_20
JeonSan System
Architecture | Construction | Mobilier
Proportion | Amménagement | Grille
26.03.20
(L)_AWAM_CCI_20
Aby Warburg — Atlas Mnémosyne
Collage | Conceptuel | Installation
Archive
26.03.20
(L)_CVDE_IS_20
Caroline Van Den Eynden
Installation | Sculpture
Maquette
05.03.20
(L)_PU_CT_20
Plaque Universelle (PDU)
Construction | Typographie
Grille | Module
04.03.20
(L)_KG_CDT_20
Karl Gerstner
Construction | Design Graphique | Typographie
Grille | Module | Mécanisme
04.03.20
(L)_JT_DT_20
Jan Tschichold
Design Graphique | Typographie
Grille | Module | Mécanisme
04.03.20
(L)_GT_CT_20
Geoffroy Tory — 1480-1533
Construction | Typographie
Grille | Mécanisme
04.03.20
(L)_JMBGs_DÉ_20
Joseph Muller Brockmann — Grid system
Design Graphique | Édition
Grille | Module
04.03.20
(L)_WM_I_20
Win McCarthy
Installation
Récupération
04.03.20
(L)_JPI_A_20
Jean Prouvé II
Architecture
Archive
28.01.20
(L)_JVO_I_20
John Van Oers
Installation
Bois | Proportion | Grille
28.01.20
(L)_PG_IS_20
Paul Gees
Installation | Sculpture
Bois | Process | Pierre
10.01.20
(L)_PZZmm_A_20
Peter Zumthor — Zinc mine museum
Architecture
07.01.20
(L)_MI_I_20
Mountaincuters II
Installation
Terre | Métal | Céramique
04.01.20
(L)_KGeJPM_AC_20
Kristian Gullichsen et Juhani Pallasmaa — Moduli 225
Architecture | Construction
Grille | Module
04.01.20
(L)_BB_I_20
Béatrice Balcou
Installation
Bois | Module
04.01.20
(L)_PC_M_19
Pierre Chapo
Mobilier
Bois
09.12.19
(L)_EK_PP_19
Ellsworth Kelly
Peinture | Photographie
09.12.19
(L)_TO_IP_19
Tim Onderbeke
Installation | Peinture
09.12.19
(L)_VP_CDPS_19
Vaclav Pozarek
Construction | Dessin | Peinture | Sculpture
09.10.19
(L)_JdCI_AIPS_19
Jan de Cock IV
Aménagement | Installation | Photographie | Sculpture
04.09.19
(L)_Æ_ACD_19
Alice EPFL
Architecture | Construction | Dessin
Maquette | Trame
03.09.19
(L)_LD_DP_19
Lucas Dupuy
Dessin | Peinture
16.07.19
(L)_MK_CIP_19
Max Kesteloot
Collage | Installation | Peinture
Imprimé
16.07.19
(L)_KFI_DLT_19
Kasper Florio II
Design Graphique | Livre | Typographie
Imprimé
21.06.19
(L)_KF_DT_19
Kasper Florio
Design Graphique | Typographie
Process
21.06.19
(L)_OG_CCI_19
Olivier Gœthals
Collage | Construction | Installation
Process
20.05.19
(L)_Z_AD_19
Zwölf
Affiche | Design Graphique
Manuscrit
20.05.19
(L)_RD_PS_19
Raphæ̈l Denis
Peinture | Sculpture
Process
20.05.19
(L)_OGI_CI_19
Olivier Gœthals III
Construction | Installation
20.05.19
(L)_OGI_CCI_19
Olivier Gœthals II
Collage | Construction | Installation
Process
20.05.19
(L)_RFI_DT_19
Ronnie Fueglister II
Design Graphique | Typographie
09.05.19
(L)_RF_D_19
Ronnie Fueglister
Design Graphique
09.05.19
(L)_GPtLACC_C_19
Genesis P-Orridge to Lesley Allen — Coum Collection
Collage
Process
09.05.19
(L)_KYI_P_19
Kim Yong-Ik II
Peinture
Grille
29.04.19
(L)_TY_CM_19
Teruhiro Yanagihara
Construction | Mobilier
Amménagement
29.04.19
(L)_VM_DP_19
Vera Molnar
Dessin | Peinture
Grille | Process
16.04.19
(L)_PJ_DLP_19
Peter Jellitsch
Dessin | Livre | Peinture
Grille | Process
25.03.19
(L)_HZ_IMS_19
Heimo Zobernig
Installation | Mobilier | Sculpture
Amménagement
25.03.19
(L)_ANA_CL_19
Araki Nobuyoshi — ABCD
Collage | Livre
Process
19.03.19
(L)_GM_IP_19
Gustav Metzger
Installation | Peinture
Manuscrit
04.03.19
(L)_Œ_CIM_19
Olafur Eliasson
Construction | Installation | Mobilier
Amménagement | Bois
04.03.19
(L)_LyS_I_19
Lolo y Sosaku
Installation
Mécanisme
04.03.19
(L)_GMI_IPSÉ_19
Gustav Metzger II
Installation | Peinture | Sculpture | Édition
Imprimé | In situ | Process
04.03.19
(L)_HSI_P_19
Hanns Schimansky II
Peinture
Grille
28.02.19
(L)_HS_DP_19
Hanns Schimansky
Dessin | Peinture
Grille
28.02.19
(L)_MW_CDP_19
Michæl Wilkinson
Collage | Dessin | Peinture
28.02.19
(L)_KR_IPS_19
Kirstine Rœpstorff
Installation | Peinture | Sculpture
Imprimé | In situ | Sérigraphie
09.02.19
(L)_JV_P_19
Jim Verburg
Peinture
09.02.19
(L)_ES_D_19
Egon Schiele
Dessin
09.02.19
(L)_LFC_ACI_19
Les Frères Chapuisat
Architecture | Construction | Installation
Bois | In situ
09.02.19
(L)_JCIob_D_19
Jacques Callot — Images of beggars
Dessin
Gravure
09.02.19
(L)_JP_AM_19
Jean Prouvé
Architecture | Mobilier
09.02.19
(L)_PS_P_19
Pierre Soulages
Peinture
09.02.19
(L)_WGI_PÉ_19
Wade Guyton II
Peinture | Édition
09.02.19
(L)_FK_P_19
Franz Kline
Peinture
09.02.19
(L)_WG_PÉ_19
Wade Guyton
Peinture | Édition
09.02.19
(L)_IC_D_19
Ines Cox
Design Graphique
Process
09.02.19
(L)_LH_CIP_19
Leslie Hewitt
Collage | Installation | Photographie
09.02.19
(L)_RD_DP_19
Richard Diebenkorn
Dessin | Peinture
Grille
09.02.19
(L)_RM_P_19
Robert Motherwell
Peinture
09.02.19
(L)_JLG_CPP_19
Jean Le Gac
Collage | Peinture | Photographie
Archive | Composition | Process
06.02.19
(L)_MdA_CIP_18
Marlon de Azambuja
Construction | Installation | Photographie
Process | Ré-emploi
11.12.18
(L)_HI_P_18
Horfée II
Peinture
In situ
11.12.18
(L)_H_P_18
Horfée
Peinture
In situ
11.12.18
(L)_RVB_C_18
Ruth Van Beek
Collage
Déconstruction
11.12.18
(L)_JeRI_CI_18
Jan en Randoald III
Construction | Installation
Bois
11.12.18
(L)_JeRI_É_18
Jan en Randoald II
Édition
Archive
11.12.18
(L)_JeR_A_18
Jan en Randoald
Affiche
Composition | Déconstruction
11.12.18
(L)_GMWjicja_É_18
Gengo Matsui — Wood joints in classical japanese architecture
Édition
Outils
11.12.18
(L)_CLI_ACEI_18
Construc Lab II
Architecture | Construction | Espace public | Installation
Atelier | Bois
11.12.18
(L)_CL_AAC_18
Construc Lab
Aménagement | Architecture | Construction
Atelier | Bois
11.12.18
(L)_TSRI_DTÉ_18
TM SGM RSI II
Design Graphique | Typographie | Édition
Archive
11.05.18
(L)_TSR_DÉ_18
TM SGM RSI
Design Graphique | Édition
Archive
11.05.18
(L)_TSRI_DÉ_18
TM SGM RSI III
Design Graphique | Édition
Archive
11.05.18
(L)_TMC_IP_18
Thomas Mailænder — Cyanotypes
Installation | Photographie
Cyanotype
16.04.18
(L)_JB_DD_18
Jean-Philippe Bretin
Design Graphique | Dessin
16.04.18
(L)_TKI_IS_18
Tadashi Kawamata II
Installation | Sculpture
Bois | In situ
09.04.18
(L)_THMPA_EI_18
Thomas Hirschhorn — Musée Précaire Albinet
Exposition | Installation
In situ
09.04.18
(L)_RS_P_18
Richard Serra
Peinture
03.04.18
(L)_PD_IPS_18
Peter Downsbrough
Installation | Photographie | Sculpture
In situ | Maquette
01.04.18
(L)_AV_IPS_18
Adriaan Verwée
Installation | Peinture | Sculpture
Encre | Gravure | Métal
01.04.18
(L)_KN_T_18
Karl Nawrot
Typographie
Maquette
28.03.18
(L)_JHNBTal_CCE_18
Jesse Hogan / Nick Briggs — Temporary autonomous library
Conceptuel | Construction | Exposition
Bois | In situ
28.03.18
(L)_KI_CIM_18
Ken Isaacs
Conceptuel | Installation | Mobilier
In situ
28.03.18
(L)_TDW_I_18
Tom David Watt
Installation
Bois | In situ
28.03.18
(L)_DJFR_M_18
Donald Judd — Furniture Retrospective
Mobilier
Bois
26.03.18
(L)_DN_PS_18
David Nash
Peinture | Sculpture
19.03.18
(L)_SMG_IP_18
Studio Manor Grunewald
Installation | Peinture
19.03.18
(L)_EDRLCM_EIP_18
Exposition ◊ Displacement (Prologue) — Runo Lagomarsino, Charlotte Moth
Exposition | Installation | Photographie
13.02.18
(L)__M_18
1 9 3 4
Mobilier
Archive
13.02.18
(L)_BSI_IP_18
Batia Suter II
Installation | Photographie
25.01.18
(L)_KM_PS_18
Kasimir Malevitch
Peinture | Sculpture
Maquette
21.01.18
(L)_SB_DP_18
Silvia Bächli
Dessin | Peinture
09.01.18
(L)_CM_P_17
Clay Mahn
Peinture
30.12.17
(L)_BK_CPÉ_17
Brian Kennon
Collage | Photographie | Édition
Imprimé | Manuscrit | Composition
20.12.17
(L)_KM_CT_17
Karel Martens
Construction | Typographie
Trame | Imprimé | Process | Composition | Module
19.12.17
(L)_WC_D_17
Wim Crouwel
Design Graphique
Imprimé | Grille | Module
19.12.17
(L)_GLAfK_AM_17
Groupe Ludic — Architektur für Kinder
Architecture | Mobilier
19.12.17
(L)_SB_IT_17
Stanley Brouwn
Installation | Typographie
06.12.17
(L)_EW_CTÉ_17
Emmett Williams
Conceptuel | Typographie | Édition
Imprimé | Déconstruction
05.12.17
(L)_TU_CT_17
Timm Ulrichs
Conceptuel | Typographie
Imprimé
05.12.17
(L)_NVD_CEIPÉ_17
Nickel Van Duijvenboden
Collage | Exposition | Installation | Photographie | Édition
Imprimé | Manuscrit | Déconstruction
05.12.17
(L)_JGH_P_17
Jochen Gerner — Home
Peinture
Récupération | Imprimé | Process
14.11.17
(L)_LT_CISÉ_17
Laurent Tixador
Construction | Installation | Sculpture | Édition
Récupération
05.11.17
(L)_JBP_DP_17
Joseph Beuys — Peintures
Dessin | Peinture
Process | Terre | Encre
05.11.17
(L)_EMREBP_CISÉ_17
Eden Morfaux — Re-création — Édition >> Building Paris
Construction | Installation | Sculpture | Édition
Bois | In situ | Grille | Module
01.11.17
(L)_MN_D_17
Marc Nagtzaam
Dessin
Grille
01.11.17
(L)_HD_CIM_17
Hans Demeulenære
Construction | Installation | Mobilier
Bois
01.11.17
(L)_KV_IS_17
Karel Verhœven
Installation | Sculpture
01.11.17
(L)_RR_CIÉ_17
Robbert Ritmeester
Collage | Installation | Édition
Imprimé | Manuscrit | Archive
01.11.17
(L)_TH_IÉ_17
Tim Hollander
Installation | Édition
Imprimé | Archive | Module
01.11.17
(L)_JR_A_17
Jean Renaudie
Architecture
In situ | Module
31.10.17
(L)_KMTE_DET_17
Kinross, Modern Typography — Exhibition
Design Graphique | Exposition | Typographie
Composition | Archive
22.10.17
(L)_AM_É_17
Aspen Magazine
Édition
Multiple | Imprimé | Archive
22.10.17
(L)_HM_DT_17
Hansjorg Mayer
Design Graphique | Typographie
Multiple | Imprimé
18.10.17
(L)_DRDaN_CDPTÉ_17
Dieter Roth — Diaries and Notebooks
Collage | Dessin | Peinture | Texte | Édition
Multiple | Manuscrit | Atelier | Outils
16.10.17
(L)_GDH_DE_17
Gemeentemuseum Den Haag — 1968
Design Graphique | Exposition
16.10.17
(L)_JBP_AD_17
Joseph Beuys — Posters
Affiche | Design Graphique
Imprimé | Manuscrit | Archive
13.10.17
(L)_RW_AIS_17
Rachel Whiteread
Architecture | Installation | Sculpture
Module
10.10.17
(L)_DU_S_17
David Umemoto
Sculpture
Grille | Module
08.10.17
(L)_SL_CDIS_17
Sol LeWitt
Conceptuel | Dessin | Installation | Sculpture
Grille | Module
07.10.17
(L)_DS_CDP_17
Daniel Sparkes
Collage | Dessin | Photographie
03.10.17
(L)_VS_AOÉ_17
Valentine Schlegel
Aménagement | Objet | Édition
Terre | Céramique
28.09.17
(L)_JD_CIPP_17
Jose Dávila
Collage | Installation | Peinture | Photographie
Récupération | Imprimé | Composition
21.09.17
(L)_MI_IS_17
Mountaincutters II
Installation | Sculpture
Récupération | Terre | Métal | Céramique
20.09.17
(L)_PE_IT_17
Paul Elliman
Installation | Typographie
18.09.17
(L)_MP_CIS_17
Manfred Pernice
Construction | Installation | Sculpture
Bois | Céramique
18.09.17
(L)_ES_D_17
Egon Schiele
Dessin
Archive
02.09.17
(L)_RZ_CS_17
Raphaël Zarka
Construction | Sculpture
Bois | Proportion | Atelier
02.09.17
(L)_BA_AD_17
Braulio Amado
Affiche | Dessin
Imprimé
31.08.17
(L)_FTEB_DI_17
Ficciones Typografika — Erik Brandt
Design Graphique | Installation
29.08.17
(L)_CN_DS_17
Christof Nüssli
Design Graphique | Scénographie
Imprimé
28.08.17
(L)_KP_D_17
Karolina Pietrzyk
Design Graphique
Imprimé
28.08.17
(L)_AS_ACM_17
Assemble Studio
Architecture | Construction | Mobilier
Bois | Amménagement
23.08.17
(L)_GM_AMPP_17
Gerhard Merz
Architecture | Mobilier | Peinture | Photographie
Proportion | Grille
23.08.17
(L)_ACB_S_17
Atelier Constantin Brancusi
Sculpture
Atelier | Archive
23.08.17
(L)_AF_CDI_17
Ângela Ferreira
Construction | Dessin | Installation
Bois
21.08.17
(L)_LcC_AP_17
Le corbusier — Couleurs/peintures
Architecture | Peinture
Bois | Archive
19.08.17
(L)_OA_IP_17
Özlem Altin
Installation | Photographie
Composition | Archive
18.08.17
(L)_PS_DPS_17
Picasso — Sculpture/céramique
Dessin | Peinture | Sculpture
Céramique
16.08.17
(L)_CP_M_17
Charlotte Perriand
Mobilier
Bois | Amménagement
15.08.17
(L)_PJI_M_17
Pierre Jeanneret II
Mobilier
Bois
15.08.17
(L)_OS_CM_17
Open Structures
Construction | Mobilier
Grille | Module
12.08.17
(L)_OSI_CM_17
Open Structures I
Construction | Mobilier
Grille | Module | Mécanisme
12.08.17
(L)_CA_IST_17
Carl Andre
Installation | Sculpture | Typographie
Bois | Imprimé | Proportion | Grille | Module
12.08.17
(L)_LCM_TÉ_17
Le Corbusier — Modulor
Texte | Édition
Outils | Archive
11.08.17
(L)_PHE_M_17
Piet Hein Eek
Mobilier
Récupération
07.08.17
(L)_AdLSdd_DT_17
Archives de Linotype — Sélection de dessins
Dessin | Typographie
Archive
03.08.17
(L)_AS_I_17
Armand Schulthess
Installation
Archive | In situ
02.08.17
(L)_ASREU_É_17
Armand Schulthess — Rekonstruktion Eines Universums
Édition
Archive
02.08.17
(L)_LCPJM_M_17
Le Corbusier & Pierre Jeanneret — Mobilier
Mobilier
Bois | Métal
01.08.17
(L)_M_IS_17
Mountaincutters
Installation | Sculpture
Bois | Argile | Terre | Métal | Céramique
01.08.17
(L)_MMI_IS_17
Mark Manders II
Installation | Sculpture
Bois | Récupération | Argile | Métal
07.07.17
(L)_JRI_IPS_17
Josué Rauscher I
Installation | Photographie | Sculpture
Bois | Imprimé | Terre | Métal
28.06.17
(L)_JRI_IS_17
Josué Rauscher II
Installation | Sculpture
Bois | Imprimé | Terre | Métal
28.06.17
(L)_a_DEÉ_17
andsobooks.com
Design Graphique | Exposition | Édition
Imprimé
28.06.17
(L)_WZ_ADÉ_17
Wang Zhi-Hong
Affiche | Design Graphique | Édition
Imprimé
27.06.17
(L)_BNR_CPS_17
Brion Nuda Rosch
Collage | Peinture | Sculpture
Bois | Imprimé | Terre | Encre
27.06.17
(L)_TP_CIPÉ_17
The Play
Conceptuel | Installation | Performance | Édition
Imprimé
27.06.17
(L)_LC_AP_17
Le Corbusier
Architecture | Peinture
Bois
27.06.17
(L)_PJ_M_17
Pierre Jeanneret
Mobilier
Bois
27.06.17
(L)_MJBAoVI_DÉ_17
Marcello Jacopo Biffi — Atlas of Visual Identity
Design Graphique | Édition
Imprimé
16.06.17
(L)_JB_CIS_17
Joseph Beuys
Conceptuel | Installation | Sculpture
Récupération | Multiple | Imprimé
16.06.17
(L)_JBI_CIPS_17
Joseph Beuys I
Conceptuel | Installation | Performance | Sculpture
Récupération | Process
16.06.17
(L)_TB_IS_17
Tom Burr
Installation | Sculpture
Composition
16.06.17
(L)_PFDW_ISV_17
Peter Fischli & David Weiss
Installation | Sculpture | Vidéo
Récupération | Argile
16.06.17
(L)_RA_CDIPS_17
Roy Arden
Collage | Dessin | Installation | Peinture | Sculpture
Récupération | Archive
16.06.17
(L)_BS_PÉ_17
Batia Suter
Photographie | Édition
Récupération | Imprimé | Process | Archive
16.06.17
(L)_CR_C_17
Camion — 1UP 138 R1
Construction
Amménagement
09.06.17
(L)_JdC_CPÉ_17
Jan de Cock
Collage | Photographie | Édition
Déconstruction | Composition
08.06.17
(L)_JdCI_ACIS_17
Jan de Cock I
Architecture | Construction | Installation | Sculpture
Bois | Proportion
08.06.17
(L)_TSV_S_17
Tom Sachs VI
Sculpture
Process | Outils
30.05.17
(L)_TSI_V_17
Tom Sachs I
Vidéo
Atelier | Capture
30.05.17
(L)_TSI_V_17
Tom Sachs II
Vidéo
Atelier | Capture
30.05.17
(L)_TSI_S_17
Tom Sachs III
Sculpture
Bois | Sound-system
30.05.17
(L)_TSI_DS_17
Tom Sachs IV
Dessin | Sculpture
Bois | Process | Camion
30.05.17
(L)_TSV_S_17
Tom Sachs V
Sculpture
Manuscrit | Sound-system | Process
30.05.17
(L)_RF_IPÉ_17
Robert Filliou
Installation | Photographie | Édition
Bois | Multiple | Imprimé | Process
30.05.17
(L)_JK_CPP_17
Jiří Kolář
Collage | Peinture | Photographie
Déconstruction
26.04.17
(L)_VdH_DT_17
Villard de Honnecourt
Dessin | Typographie
Proportion | Tracé régulateur | Gravure
22.04.17
(L)_MM_IS_17
Mark Manders
Installation | Sculpture
Bois | Manuscrit | Atelier | Argile
19.04.17
(L)_DJAGCIaGC_CM_17
Donald Judd — A Good Chair Is a Good Chair
Construction | Mobilier
Bois | Multiple | Proportion
18.04.17
(L)_DRI_CP_17
Dieter Roth IV
Collage | Peinture
Récupération | Manuscrit
12.04.17
(L)_KY_IP_17
Kim Yong-Ik
Installation | Peinture
Trame
12.04.17
(L)_MWC_CMS_17
Michæl Wolf — Chair
Construction | Mobilier | Sculpture
Récupération | Multiple
12.04.17
(L)_DRI_IÉ_17
Dieter Roth I
Installation | Édition
Bois | Récupération | Imprimé
12.04.17
(L)_DRI_AÉ_17
Dieter Roth II
Affiche | Édition
Multiple | Imprimé | Manuscrit
12.04.17
(L)_DRI_ACIPÉ_17
Dieter Roth III
Affiche | Collage | Installation | Peinture | Édition
Récupération | Multiple | Imprimé | Manuscrit
12.04.17
(L)_GP_IS_17
Giuseppe Penone
Installation | Sculpture
09.04.17
(L)_LPDdp_TÉ_17
Luca Pacioli — De divina proportione
Typographie | Édition
09.04.17
(L)_MRI_IMT_17
Manuel Ræder I
Installation | Mobilier | Typographie
09.04.17
(L)_MRI_IM_17
Manuel Ræder II
Installation | Mobilier
09.04.17
(L)_MRI_IMÉ_17
Manuel Ræder III
Installation | Mobilier | Édition
09.04.17
(L)_TK_AC_17
Tadashi Kawamata
Architecture | Construction
Bois | Récupération
09.04.17
(L)_TS_S_17
Tom Sachs
Sculpture
Bois
08.04.17
(L)_XA_IMÉ_17
Xavier Antin
Installation | Machine | Édition
27.01.17
(L)_DRC_É_17
Dieter Roth — Collection
Édition
27.01.17
(L)_FEW_S_17
Franz Erhard Walther
Sculpture
14.01.17
(L)_GR_IP_17
Gerhard Richter
Installation | Photographie
14.01.17
(L)_MU_IS_17
Micha Ullman
Installation | Sculpture
13.01.17
(L)_BeML_P_17
Barbara et Michæl Leisgen
Photographie
01.01.17
(L)_RL_L_11
Richard Long
Land Art
27.05.11
(L)_AG_L_11
Andy Goldsworthy
Land Art
Argile | Bois | Terre
31.03.11